Paint: Pure White, Sherwin-Williams (walls in flat, trim in semigloss) sconces: Kichler sinks: Decolav The rest of the floor is ceramic tile digitally printed to look like hardwood. Tile: In the shower, white subway wall tile (with charcoal-gray grout) contrasts with black hexagonal floor tile for a graphic visual statement. Vanity: Gill had vessel sinks installed on a large dresser for a vintage, eclectic double vanity. Solution: Designer Amy Gill relocated a door and removed an odd half wall to streamline the layout, which made room for a double vanity, a walk-in shower under the sloping roofline and a stand-alone tub on the opposite side of the room. The backstory: A leaky bathtub and a less-than-desirable chopped-up floor plan set off the transformation of this bathroom inside a Tudor-style home. Size: About 110 square feet (10.2 square meters)ĭesigner: Amy Gill of Gill Design & Construction Shower and tub filler: Hansgrohe faucets: Newport Brass lighting: Hudson Valley Lighting paint: Apparition and Simply White, Benjamin Moore b athtub: Caicos, Aquabrassģ. Shower and tub: A curbless shower, separated from the rest of the room by just a single piece of glass, gives the impression of more space - visually and physically - and makes way for a freestanding tub. Vanity: A large furniture-style vanity in a rustic wood offers a nice counterpoint in tone and texture to the expanses of white-and-gray marble. A mix of patterns - arabesque on one wall, brick on another and large format on the floor - gives dynamic character to the space. Tile: Carrara marble tiles cover the floors and walls, creating an elegant, spa-like feel. Then a modern palette of white and gray with lots of marble created a refreshing atmosphere. They had to rebuild the floor due to water damage, reinsulate the walls, put up drywall and waterproof everything. Solution: Designer Lindsay Chambers and Hazel Wood Group builders completely gutted the room. And because the room was windowless, she added a solar tube in the ceiling to bring in natural light.The backstory: A top-to-bottom Mediterranean style didn’t suit the character of the 1919 Craftsman home, which was renovated in 2014. Ozipko floated the mirror off the wall so she could add lighting behind it. The shower surround is Statuario marble and the rest of the walls feature a stone mini brick mosaic in similar hues. One of the homeowners is a geologist, so the designer put a lot of thought into the natural stone tile choices. The color palette and lighting keep things bright. (The flush panel can be removed for access.) The toilet bowl doesn’t take up floor space, also making the room feel airier. Rather than protruding into the room, its tank hides behind the wall. The biggest space-saving hero is the wall-mounted toilet. And the wood material and style of these pieces nod to the home’s midcentury modern architecture. The bottom of the vanity has a large drawer for storing extra towels. The flat-panel maple vanity and unit over the toilet give them plenty of storage. Replacing the tub with a roomy shower stall made the room more functional for the couple. Shop for faucets with a warm metal finish And the three-light sconce over the mirror with the lights pointing up toward the white ceiling helps reflect light, increasing the brightness of the room. Other clever solutions include using a tilt mirror so the owner can see more of himself in the small space. The warm brass Fee used on the faucets and mirror are a finish not seen elsewhere in the home. The husband also loved the idea of a vanity with an integrated sink. Fee worked this out by adding blue accents in the otherwise all-white shower surround and by using white wainscoting beneath the blue paint on the walls. He loves deep blues, so one challenge was incorporating those dark colors while keeping the room bright. The dark-stained maple on the vanity she designed and the slate floor create cohesion with the rest of the house.īut the homeowner also wanted the room to stand out as uniquely his. Overall the house has a Craftsman-inspired eclectic style, so Fee kept that in mind when tackling the design.
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